Dancer: Ni Wayan Sumantari. Balinese Gamelan and Its Music. Bali is host to numerous types of gamelan made of bamboo, iron, or bronze and ranging in. Balinese traditional and contemporary program. I Wayan Kaler (1964).
Dharma Kanti is a music and dance ensemble from the small hamlet (banjar) of Beluangan in the village of Perean Kangin, in Bali’s western-central district of Tabanan. The musicians perform the energetic music that accompanies tari joged, a dance of flirtation known throughout Indonesia.
Their set of instruments, one of more than twenty distinct ensemble types in Bali, is called gamelan joged or joged bumbung. Its rich sonority combines the warm timbre of bamboo marimbas and flutes with the brighter sounds of drums and bronze instruments. When this recording was made in late 1991, the group consisted of 17 musicians and seven dancers.
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Their music was recorded in the Pura Merta Sari, the small temple in the middle of Beluangan to which they have a close connection. I Nyoman Rampeg, director I Wayan Birut, vice president I Made Sukarma, treasurer I Wayan Mudiana, secretary 1991 musicians (partial) Mangku Merta Sari, Kak Erik, Kak Kania, Kak Natrini, Pak Koji, Pak Swedia, Pak Niti, Pak Suet, Pak Widana 1991 dancers Ni Kadek Sudi, Ni Kadek Ariani, Ni Nyoman Suati, NI Nyoman Sueri, Ni Wayan Sudi 2014 musicians Pak Danis, Pak Suriati, Pak Budanti, Mangku Merta Sari, Pak Sutami. Pak Putu Mahadika, Pak Suba, Pak Agus Suyadnya, Pak Darni, Pak Erik, Mangku Gaduh, Pak Wahyu, Pak Apel, Pak Cenong, Pak Baba, Pak Aris Vital Records Historical Recording Series Recorded November 4, 1991 at the Pura Merta Sari temple in Banjar Beluangan Recording, mastering, cover photo, and booklet text by Wayne Vitale Booklet cover: Watercolor by I Nyoman Gunarsa, 1998 With special thanks to Gusti Aji Pageh, I Made Arnawa, and Ni Luh Andarawati © 2014 Vital Records Vital Records is devoted to producing superior recordings that feature the island's most brilliant ensembles. The highest standards are used in every recording project, from extended planning and discussion with the musicians, to careful choice of pieces and recording location, to extensively researched documentation, to first-class post-production. This particular CD is the second in its Historical Recording Series, presenting recordings made many years earlier – at the advent of portable digital recording technology in the 1990s – but never previously released.